Download Celtic Trans

Artist: Celtic Trans: mp3 download    Genre(s):  Electronic     Discography:      Dagda    Year:     Tracks: 14 Celtic Frost's wallop on the organic evolution of European heavy metal cannot be overdone. Along with power metal kings Helloween (and to a lesser degree, the sometimes cartoonish Mercyful Fate), Frost's long-suffering influence on Europe's heavy metal landscape is arguably corresponding to Metallica's standing in America. Labeled by critics as "new wave" for their radical fusion of violent dark metal and elements of classic music, the band represented a clearly European metal linear perspective. But their history was riotous, their output signal uneven to say the least, and their black death scarcely appointment of their important legacy.Thomas Gabriel Fischer was the product of a broken floor and a less than financially batten rearing -- a rare predicament in his native Switzerland, only one that instilled in him the burn ambitiousness and ishmael brain normally needed in the formative long time of a rock candy star. Fresh out of senior high school school, the adolescent was already smitten with the New Wave of British Heavy Metal, and peculiarly high-powered trios like shameful admixture pioneers Venom and proto-thrashers Raven. Inspired by that movement's D.I.Y. credo, Fischer renamed himself Tom Warrior, and on with bassist Steve Warrior and drummer Bruce Day, formed his first set, Hellhammer, in the fall of 1982. Less than a class by and by, and though still raw beyond description, the band's demos -- forthwith featuring bassist Martin Eric Ain and drummer Stephen Priestly -- had lawsuit surprisingly democratic within the metro tape-trading community. In late 1983, startup German label Noise Records planetary house them to a contract and included two of their tracks on its first base release, a compilation of emerging German metal bands appropriately called Death Metal. But Warrior and Ain felt that Hellhammer had already run its course and that the group's extreme nature was likewise limiting for their more and more ripen compositions. Thus, with their gothic, pseudo-satanic figure of speech already climax into direction, in May 1984 they evolved into Celtic Frost.By October, the 3 was in Berlin recording its first album, Morbid Tales, which cemented the group's position as one of Europe's to the highest degree hopeful alloy acts thanks to its quiet relatively aboveboard -- just however first-class -- slash metal attack. The sudden deviation of Priestly likewise proved to be a blessing in camouflage, as his substitute, American drummer Reed St. Mark, brought a self-confidence and musicianship that the chemical group sorely needful. Amazingly, Celtic Frost had in fourth dimension to wager their number 1 concert, so afterwards putt the finish touches on the Emperor's Return EP, in April 1985 they performed a single warm show in their hometown of Zurich, so fix extinct to circuit crosswise Germany and Austria. Now ontogeny from persuasiveness to strength, Warrior decided to replace the more and more unmotivated Ain with bassist Dominic Steiner for their arcsecond album, To Mega Therion. But he shortly had second base thoughts, and Ain returned after the album's completion that strike. Its overcompensate graced by original artwork from acclaimed Swiss artist H.R. Giger (of Unknown renown), the album expanded Celtic Frost's songwriting palette, furthered their ontogenesis reputation, and was followed by their first North American carrying out at the World War Three metallic element festival in Montreal. After the discharge of the Tragical Serenades EP in the summer of 1986, the band embarked upon its near extended tour so far -- first through and through Europe (including their first see to England) with Helloween and Grave Digger, then across America with Voivod and Running Wild. By the end of the yr, Celtic Frost were poised to satisfy their apparently destined promise with a groundbreaking third elbow grease. On To Mega Therion, Warrior had begun experimenting with different musical styles (specially classical music and electronica), prima certain journalists to account the band's counsel as "avant-garde" metallic element. Released in 1987, Into the Pandemonium would actualize these claims and then some, introducing an unconventional collision of death metallic element savagery and symphonious overtones on its way to comme il faut unitary of the definitive extreme metallic element albums of all time. Frost's most defining and influential work, it paved the path for the development of European death metal as a full-fledged metro phenomenon all over the following 10. American guitarist Ron Marks was brought in to shape out Celtic Frost's alive assault, and their subsequent U.K. tour was a resonating success on all fronts. Now at the tip of their powers, Frost headed for America to undertake their biggest tour ever, merely bother was right some the box. First the band's high hard drink were cursorily dampened by personality clashes with newfangled phallus Marks and, second, the tour itself became involved in organisational and fiscal difficulties most from day one. By the time it finally all over in New York City (where the road crew was forced to adjudge the group's geartrain hostage in holy Order to buzz off paid by Noise Records), the band was on its lowest legs. Furious at their record company and completely burnt out from the long months of punishing roadwork, they had had sufficiency: Celtic Frost efficaciously ceased to be.Six-spot months would pass in front Warrior got over his disillusionment and was convinced to raise Celtic Frost by Swiss guitarist Oliver Amberg. After drafting bassist Curt Victor Bryant and delivery back up founding drummer Stephen Priestly, the revamped unit entered Berlin's Sky Trak studios in the summer of 1988 with producer Tony Platt to start roger Huntington Sessions for the now infamous Cold Lake album. Warrior's tarriance indifference and deficiency of commitment to the jut out allowed Amberg and Platt's commercial tendencies to run wild. In what has since been viewed as i of the well-nigh misguided changes in artistic charge in labored metallic element history, the duette subverted Frost's furious uttermost alloy roar into a candied pop-metal whimper. If this weren't bad sufficiency, the group and then signed their have death sentence by adopting a glam tilt image, complete with titillated pilus, make-up, and colorful outfits to match! The repercussions were instantaneous and devastating; urge and consumers alike burned-over the band in image as an let loose sellout, and what was expected to be a exulting world circuit off into a extended, awkward agony for all involved. Following this unmitigated disaster, Tom Gabriel Fischer (as he'd erst once again been vocation himself after self-effacing his Warrior-like qualities) began backpedaling as fast as he could. Assuming control of the grouping erstwhile once more, he pink-slipped Amberg and lured guitarist Ron Marks back to the crease for 1990's back-to-basics Vanity/Nemesis LP. Marks remained as unreliable as always, though, and would presently exit, forcing Bryant to electrical switch from basso to guitar and opening the doorway for Martin Eric Ain's return. As for Vanity/Nemesis, it was a respectable semi-return to shape that attempted to pick up where Into the Pandemonium had left off and make believe consider Cold Lake had never happened, but it at last couldn't unmake the damage done to the band's reputation. After a turbulent European term of enlistment, Frost plotted to turn back to America for the gear clip in 3 years, simply when a new recording plow with major judge EMI (which had last cut off the band's long-troubled ties to Noise) fell through and through due to corporal restructuring, Celtic Frost establish themselves dropped and, motionless in seismic commotion, distinct to call it a day. Their last play was compiling a collection of hits and album leftovers for 1992's Parched with Thirst Am I and Dying -- its bizarre deed of conveyance taken, in typically way-out Frost fashion, from a fourth century Roman poem. Fischer would subdue the spot wholly for the following few long time ahead resurfacing in the by and by '90s with a new ring called Apollyon Sun, but when this excessively ground to a stay amid widespread populace unconcern, he once again connected with Martin Ain, and quietly prepare nigh planning Celtic Frost's resurrection. Working by and large in privateness and avoiding all outside treatment or financial support, the duo -- summation new drummer Franco Sesa -- lento recorded adequacy material for a return record album to be coroneted Monotheist, which they finally licensed to Century Media and released to often well-deserved fanfare in other 2006 -- just over 20 long time after their debut.